2nd International Students' Conference

Papers (in PDF)

• Alev Kuruoğlu, "Does Music Kill"
• Anil K. Jain, “Differences in Difference”
• Arzu Demir Korucu, “Moll Flanders as the Cultural Mirror of the 18th Century”
• Aslı Yardım, “The Trilogy of Lousie Erdrich”
• Bahar İnal, “The Absurd in Beckett’s and Albee’s Plays”
• Barış Bilir, “Cultural Reasons Behind Tobacco Use Among American Youngsters”
• Briena Vaidos, “What is Real, Really?”
• Burcu Benlidayı, “Devalued Black Womanhood and Its Analysis in Their Eyes Were Watching God”
• Burcu Tekelioğlu, “The Lost Generation’s Anger”
• Csilla Czimbalmos, “Mellors as a Pan Figure”
• Dilek Özkurt, “A Classical Example of Film Noir: The Third Man”
• Duygu Özler, “The Western Movie Genre”
• Ebru Yalçın, “The Fantastic in Ursula K. LeGuin’s Short Fiction”
• Ece Saatçioğlu, “Moulin Rouge!: ‘Subversionary’ Love”
• Emel Tetik, “Death in 20th Century Poetry”
• Erion Ndreçka, “Reflections of American Life in Music”
• Fikret Arargüç, “The Relevance of Culture and Its Acquisition of the ‘Other’ in Rudyard Kipling’s Kim”
• Hristina Dinkova, “Bulgarian Beer Commercials and Culture”
• Işıltan Ataman, “Performing the Critique of Patriarchy in Sophocles, Shakespeare, Milton, and Beckett”
• Joshua Parker, “How ‘Thou’ Lost the Battle, But Won the War”
• Kıvılcım Yavuz, “A Medieval Gateway to Feminist Education: Christine de Pizan’s Subversive Revision of Boccaccio”
• Leyla Demirel, “The Destiny of Cultures”
• Linda Alexandra Torok, “Victorians Against Wuthering Heights”
• Lucia Roxana Cazan, “Spender’s Poetry: A Time of Crisis”
• Marenglen Pepa, “An Analysis of John Updike’s Rabbit Run”
• Milena Tabanlieva, “Differences Between Bulgarian and American Family Lives”
• Monica Tudora, “An Analysis of Arthur Miller’s The Crucible”
• Münevver Durukan, “Taken-for-Grantedness of Turkish Coffee and Coffee-cup Reading Activities Within The Popular Culture”
• Nekida Jolldashi, “The Theme of War in Hemingway’s A Farewell to Arms”
• Oğuz Tanyıldızı, Selen Akün, Levend Özçelik, Hakan Akbulut, “People and Events of Importance in the Struggle for the Civil Rights Movement”
• Özlem Karagöz, “The Subversion of the Term ‘Enemy’ in the USA”
• Patricia Kaiser, “The Postmodern Aesthetics in 1990s’ Science Fiction Films: A Political Approach?"
• Raluca Ionita, “Taming the Wild: A Study on Jack Kerouac's On the Road”
• Rezart Kadija, “Style in William Faulkner”
• Rıdvan Caner, “Alfred Hitchcock and Existentialism”
• Sairud Spahija, “Arthur Miller: The Confrontation of Little People with Big Issues”
• Saniye Çancı, “Moulin Rouge!: A Postmodern Romance”
• Seda Erkoç, “Political Usage of Music”
• Sema Aslan, “Reflections from the Turkish Narrative Tradition: From Dede Korkut to Latife Tekin”
• Semih Gürkan, “A Freudian Approach to the Coming of Age in America”
• Senem Şancı, “Feminist and Ethnic Issues in Kate Chopin’s Short Stories”
• Süleyman Erhan Kaya, “Even If We Do Not Have Money, We Have Dignity: Suburban Arabesque Culture”
• Svetlina Denova “The Soul of a Country: Jeremy Seal’s Vision of Turkey in his A Fez of the Heart”
• Şila Yosulçay, “The Awakening of Femininity and Black Identity in Fried Green Tomatoes”
• Theodora Dinca, “The Grapes of Wrath: Interrelations Between the Music, Film, and Text”
• Tuba Işınsu İsen, “Self-praise in Ottoman Poetry”
• Yasemin Özçubukçu, “ Mae Regenerates Beethoven: Classical or Popular?”
• Zeynep Zeren Atayurt, “Character Analysis of Alex in A Clockwork Orange in Connection with T.S.Eliot's “The Hollow Man” and His Role as a Teen Anti-hero on Subverting the Manipulations of the Government”